Tuesday, January 14, 2014

This blog is moving to gvi.co.uk





Over the past years, this blog has been a great communication tool highlighting the achievements of our students and the hard work of our volunteers and staff members; past and present and keeping people connected with Olives Rehabilitation and Nyota Ing'arayo school and their student's progress to highlight the difference everyone is contributing to over time.  

We are now making things even better. Our blogs will be fully integrated into our new website which will be live by the end of January and thus, we are moving. Blog posts will be directly accessible on gvi.co.uk


Other live news, updates and goings on are published on Facebook and from
  our twitter account.


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Working with the high flyers...



Working with the high flyers...

The slight breeze made the heat bearable as the folds of my dress fluttered in the wind, sending coolness up my spine.  I leaned against a rugged pole that held the aluminum roof of Olive’s in the air and watched the four boys sitting on the dust covered ground in front of me.  Some of them sat with their knees crossed, some with their legs stretched out, but all of their necks were strained with the weight of their head as they intently scribbled stories in the pages of their worn notebooks.
Having a gradation of English talent in my Standard 5 class makes individual attention difficult.  The kids with strong English skills are often pushed aside to allow those with struggling English to learn.  However, my group of four boys, who call themselves ‘Four Brothers,’ is my chance to give the four strongest English speaking boys in my class my undivided attention.
I began working with the Four Brothers when I first started the project.   After a few group books and collaborative stories, I realized that the boys needed much more of a challenge than simply reading books and comprehending stories.  The boys needed to write.
The fists in the air and the four excited faces smiling at me was more than I expected when I told them one afternoon to sit down with pencil and paper and let their imagination go wild.
“We can write about ANYTHING?”
“Anything you want,” I grinned.

Emma with her reading group.

They wasted no time.  Within the minute, the Four Brothers had settled down with their pencils dancing in the air.  The subtle winds carrying hums of voices in the classes next door and the obnoxious crows that paraded the area were the only two interruptions of the meditative setting.  With their minds distracted on their stories in progress, I let myself study my students properly.
Separately, they are all as different as the compass rose.  Together, they hold a sense of completion, somehow, almost as if one of each is a direction of north, south, east and west: the Four Brothers.
Enoch, the highest in the class, is of average height.  Short hair tuffs cover his head in a subtle black while the sweet features of his face give away his loving charm and direct personality.  Periodically, his face would pop up from his notebook in wonder, and a sudden light would spark in his eyes as his lips moved to voice an idea, a new spontaneous thought, for his story in creation.
Omari, a tall and lean fella’, wears shoes that look to be twice his size.  His bald oval head is suited by his thick, black, oval glasses that prevent him from looking directly at any angle.  I found him repositioning frequently, as though he was still adjusting to the growing size of his body.  His head swayed to and fro as his hand crossed the page, back and forth, back and forth, so matter-of-fact.
George Mwuiri.  Oh, George.  His upside-down, triangle head is always voicing his blunt, not always needed, opinion.  Though average in size, I would say he was taller just because of his personality.  I can’t picture him in my mind with his mouth closed… His teeth are always a feature of his face, whether if they are smiling, or gawking in confusion.  I caught him staring into space, obviously stuck on what to write.  When his pencil began making big curves on the page, I told him to stop making a picture of a madman and to keep writing.
Carlos always carries a serious face.  He only talks if spoken to, his big eyes always holding a spice of sadness or thought in them.  I catch myself looking at his thick lips that center his bold features, wondering what he is thinking, what far place his mind is in.  Sometimes, he stops writing and stares into space, thinking about… something.  Then he writes for a while longer, then back into space.
At the end of the thirty-five minutes, they all protest.
“Madam, that is not enough time.”
“Madam, I want to finish.”
“Madam…”
I tell them to finish their sentences, then haggled their papers and hurried them off to class.
Walking to the staff room, I begin reading their papers.  The sense of warmth inside my chest grew as I skimmed their work; proper verb tense, scattered punctuation, descriptive words, adequate spelling, VOICE.  My kids used VOICE!  I could hardly keep my excitement personal as I began showing off my kid’s work, MY kid’s.  The papers were passed around the room, my fellow teachers and I analyzing and discussing.
Enoch titled his, “Rumpleistarlisical.”  Sure, a spinoff of “Rumplestiltskin,” but complete with similes, dialogue, and appropriate magical nonsense.  Omari began a story about a cat and a mouse, straight forward and matter-of-fact, elaborated with pictures.  “Do you remember the story of Jack and the Beanstalk?” George Mwuiri began, while Carlos wrote about a hungry cat that learned KungFu one day.




The following day, I called the brothers and handed back their stories to continue their wave of imagination.  They plopped themselves on the dirt ground with their pencils in hand and were silenced to the winds of humming voices and screeching crows.

By Emma Werntz

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Tuesday, December 10, 2013

Language barriers



Language barriers

I still remember what it felt like, standing in front of all my students for the first time. Mr Lee had just introduced me to my class of 30 pupils and told them that I would speak a little Finnish so they could hear what it sounded like. His announcement took me by surprise but I managed to say a few sentences. The kids loved it. They got up from their seats and stared at me in amazement, clearly amused by the weird language I spoke in. " Madam, madam, what did you say? Say something else!" They yelled laughing, as I stood there smiling in the middle of tiny hands that wanted to touch this odd girl making strange sounds. It was the first time since coming to Africa that I was actually glad that my native language was not English, but this weird language that no one else understood and that sounded so insane it caught everyone's attention. 


Astrid with her class Olives Std 4

I'm not going to lie; It hasn't been, and is not always, easy being the only one speaking your second or even third language To be honest, it can be really annoying sometimes, not being able to express yourself as fluently as you're used to at home and forgetting important words that make the point to your sentence. I've always thought of English as my strength, but it is a lot more challenging to speak it all the time compared to just chatting to some strangers you meet on a trip abroad. However, speaking and listening to a language without having the option to switch to another makes you a lot better at it quite quickly.


Olives student Rose proudly showing off her work.
 As a volunteer, your first interest should always be the kids. To my relief, I found that their English was still on a fairly basic level and that I was able to help them improve that despite my limited skills. After all, I have studied English for nearly ten years. I do know I sometimes make errors while speaking to the kids, but I do my best to keep the errors to a minimum. I've also found that since I've had to learn how to speak English in school as opposed to learning it from my parents and the environment like a native, I actually remember how I learned it and can use that knowledge when teaching. For example, I remember the rules behind the words 'some' and 'any,' and how I learned and remembered them. 

 
One to one lesson
Furthermore, teaching English does not only improve the kids' English, but yours as well. I feel that I learn as much as they do when I'm in front of the class explaining grammar or just talking to the children. Even though your own gain should not be the main reason for volunteering, it is a nice plus. 

Astrid with fellow volunteers Josh, Becca and students from Nyota
After 10 weeks on the program I still sometimes struggle with English if I have to explain something complicated, but I don't think of it as that big of a deal. I've received nothing but respect and encouragement from my fellow volunteers and GVI staff members which has been really comforting. In conclusion, your attitude really is the most important thing you've got. Work hard, don't let it be a problem and you'll soon realise that it actually isn't. The children need all the help they can get.




By Astrid Kalland - Volunteer

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Monday, December 2, 2013

Nyota perform the Lion King



Lion King Production 

When I was eight years old I saw my first Broadway play, The Lion King. From that moment, my world changed. I fell in love with theater and knew exactly what I wanted to do with my life. As I got older, my dream became clearer; I wanted to teach theater to children around the world. I came to Kenya to gain more teaching experience, but I am leaving Kenya with my childhood dream becoming a reality.
 
Making the costumes
After hearing my students say their favorite movie was The Lion King, I began adapting the script. I chose to abridge the story to fit a 10 minute play with three songs. Once the script was finalized, the casting process began. I heard each student from Standards 5, 6, and 7 read. The Western director in me wanted to cast the students with the best reading skills to be cast as leads, but the theater teacher in me wanted to give every student the opportunity to shine. We had groups of five or six students for each role and each role had students from all levels. After our second read-through, I knew I made the right decision. 

Backstage before the performance.

I saw students in my class who can barely read out loud without getting nervous shout their lines. I would walk into school every morning and students would recite their lines to me and beg to work on them during lunch. I have never seen some of my students more confident and proud, which is exactly why I want to pursue a career in theater education. The arts have given me confidence, enthusiasm and an escape, and I want to give that opportunity to these children.
The Audience
For three weeks we would rehearse during our 35 minute reading lesson every day. Coming from a world where four hour rehearsals for six weeks plus a tech week is standard, I was terrified. But the students proved me wrong; they were able to not only learn their lines very quickly, but also understand the English. The next challenge was introducing theater to people who have never seen a play before. I had to teach cue lines, emotion, and stage presence. But once again, their excitement and enthusiasm made it possible. We then spent two lessons learning “Circle of Life”, but we added our own twist. I found the English translation for the Zulu opening, and then had two teachers translate it to kiwahili. By the end of the second “Circle of Life” rehearsal, I was in tears. I was overwhelmed with joy and excitement. For 15 years I wanted to be a part of The Lion King and these kids made it happen. 
Dress rehearsal.
After three days of exams and no rehearsal for a week we had one day to rehearse before show time. We spent four hours in the Kenyan sun blocking and then completing three full run-throughs. As any actor would tell you, tech week is exhausting and tedious; but these kids were troopers. By the end of the day, I knew we were ready. On show day, I brought in the puppets for each character that I had been working on every day for the last few weeks. It was time to perform for the rest of the school.  I stood in the back and told the kids to just look at me while they were on stage. I had to let go of every concept of professional theater I have. We had kids running on and off stage, we could see backstage, and had the occasional side conversation on stage. But I was so incredibly proud. Fortunately I wore my sunglasses, because once again, I was crying throughout the entire performance. They were proud, confident, excited, and able to escape everything that is happening around them. The three girls in Standard 7 who told me they dream of going to California to become actresses, were actresses. The students who have a stutter when they read didn’t have a stutter. The student who never talks spoke louder than anybody else. They were shinning stars.

By Becca Kenigsberg

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